Volume 1.1 has arrived.
ACCESS THE FULL VERSION OF VOLUME 1 HERE
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Scaffold* Journal, a project of the SHIFT* Collective, is a process-oriented research journal that aims to validate acts of creative process as work within themselves. Platforming disciplines relating to the built environment, Scaffold* aims to elevate the incomplete, the working versions, the infinite sketches and the iterative process work that are byproducts of designing. Published in two volumes—one focusing on process documentation, and the other focusing on projects in their completed iterations—Scaffold* sees process as practicum, and centres around the positions, tools, and frameworks that define the methodologies of its contributors.
Scaffold* will be published in two editions per volume; the first showcasing process work, and the second showcasing polished work. We intend to release this in omnibus format in late September, so stay tuned. Until then, the Edition 1 work of our contributors is available digitally and can be accessed through our website. Our final publication, including the digital version of the first volume, is curated based on six interviews that we conducted with emerging and established academics and practitioners that work within the Daniels and U of T community. As we conducted these interviews, we observed that each seemed to represent its own distinct methodology, and have curated our contributions around these. As such, there may be some topical overlap between categories. We invite you to draw connections as you see fit–Scaffold* hugely advocates for interdisciplinarity, especially as it relates to one’s unique positionality.
Scaffold* is committed to the dissemination of work pertaining to art, design, and the built environment, including (but not limited to) works in architecture, landscape, urbanism, geography, visual studies and forestry. In particular, Scaffold* desires to highlight and create space for non-conventional methods of research, especially those that elevate one’s unique positionality and practice.
SECTION 1
Community Engagement + Participatory Processes
A Conversation with
Hernán Bianchi Benguria
Piecing a Mosaic: Designing for a multicultural city through community-oriented inquiry
Muskan Goel
Children of Heaven
Hooman Moshrefzadeh
Finding Connection in Formal Spaces of Informal Use: From Dining Room to Suburbia
Nan Liang + Diane Kim
Community Engagement + Participatory Processes
A Conversation with
Hernán Bianchi Benguria
Piecing a Mosaic: Designing for a multicultural city through community-oriented inquiry
Muskan Goel
Children of Heaven
Hooman Moshrefzadeh
Finding Connection in Formal Spaces of Informal Use: From Dining Room to Suburbia
Nan Liang + Diane Kim
SECTION 2
Open-Source Intelligence + Discourse Analysis
A Conversation with
Lukas Pauer
Before the UAE there was the Dragon Blood Tree
Farwa Mumtaz
An Archive of Memories, Washed Away
Liane Werdina
A Community Fight
Isaac Soares
Lukas Pauer
Before the UAE there was the Dragon Blood Tree
Farwa Mumtaz
An Archive of Memories, Washed Away
Liane Werdina
A Community Fight
Isaac Soares
SECTION 3
Iterative Modelling + Material Exploration
A Conversation with
Zachary Mollica
Inverting the Unwanted
Zhen X. Yang
The Sketch, the Model, and the Student
Joshua Helm
Gardening in a Wasteland
Michelle Li
About Junk and Hanging Out
Jana Rumjanceva
SECTION 4
A Conversation with
Yeo-Jin Katerina Bong
Preserving the Past, Ensuring the Future
Ashley Mowry
The Making of Mas: Archiving Toronto’s Caribana
Jasmine Sykes
Archival Research + Historical Readings
A Conversation with
Yeo-Jin Katerina Bong
Preserving the Past, Ensuring the Future
Ashley Mowry
The Making of Mas: Archiving Toronto’s Caribana
Jasmine Sykes
SECTION 5
Visual Experimentation + Technology
Practice Makes
Anella Schabler
Scars: When they can no longer feel the pain
Ai Ran
the constructed fabric, the consciously-induced collapse into classicality, the chaos of cosmic censorship
Salma Ragheb
Experiments in Holography
Jamie Lipson
Ideation is a Subjective Process: The case for rebels
Charlotte Keskinen-Keith
Visual Experimentation + Technology
Practice Makes
Anella Schabler
Scars: When they can no longer feel the pain
Ai Ran
the constructed fabric, the consciously-induced collapse into classicality, the chaos of cosmic censorship
Salma Ragheb
Experiments in Holography
Jamie Lipson
Ideation is a Subjective Process: The case for rebels
Charlotte Keskinen-Keith
SECTION 6
A Conversation with
Miles Gertler
From the Mouth of a Salmon: Architecture of interspecies storytelling
Jia Chen Mi
Machine / Hands: Discovery Through Technical Drawings
Reilly Walker
Stories From The Everyday
Daniel Wong
Architectural Speculation + Representation-Based Inquiry
A Conversation with
Miles Gertler
From the Mouth of a Salmon: Architecture of interspecies storytelling
Jia Chen Mi
Machine / Hands: Discovery Through Technical Drawings
Reilly Walker
Stories From The Everyday
Daniel Wong